miércoles, 18 de marzo de 2020

3. what about the play



        and what about
        the play,
        for we two were meant
first
to fret
and strut
upon a stage
       
        our “year-long affair” started in 1934, some silly
spring-
break, well
        before the war,
        no epic scope about it

you had been, Rick, when I met you back in Paris,
a well-heeled lawyer, married
to the daughter of some mogul,
and a father of two children,
and I knew all about it, you told me while we were making
out
that first time,
hiding on the roof of that hotel,
after the party, we
had been dancing,
I was
a kept
dame,
my ridiculous uncle (you would characterize him
as “that perfumed thing that called itself
a man”)
paid for the “beauty
and chic”
which you fancied then, 
but that part I hadn’t told you, how
could I?,
and when you saw us walking into La Belle Aurore you broke
down

        it had been, I say in the play, of our story
so far,
up to my coming with Victor into that “tawdry café” in Casablanca
and spending the night upstairs in your apartment,
and saying to each other, in the morning, all those ugly things,
it had been, I say, “a fairy tale
        with a nasty ending”,
        but the definition stands, applies
        as well
        to the whole affair,
        just look at you, look
        at me, we’ve made
        a mess
        of it,
        haven’t we
       

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