“At the
airport, the outline of the transport plane is barely visible.
Orderly: Hello, radio tower? Lisbon plane taking off
in ten minutes. East runway. Visibility: one and a half miles. Light ground
fog. Depth of fog: approximately 500. Ceiling: unlimited.
He hangs up, and crosses to the car that has just
pulled up. Renault gets out, closely followed by Rick, hand in pocket, still
covering Renault with a gun. Laszlo and Ilsa come from the rear of the car.
Rick [indicating the orderly]. Louis,
have your man go with Mr. Laszlo and take care of his luggage.
Renault [bows ironically]. Certainly,
Rick. Anything you say. [to Orderly] Find
Mr. Laszlo’s luggage and put it on the plane.
Orderly. Yes,
sir. This way, please.
The orderly escorts Laszlo off in the direction of the
plane.”
Captain
Renault does
here,
in
this particular scene,
several
tasks: true,
it
would have felt cozier,
having Rick
and Ilsa deliver their famous lines, lastnightwesaid,
we’llalwayshaveparis,
aside,
but
it was okay, even
convenient,
to
have the gendarme around, listening
in,
looking on,
nominally
filling in the names on the letters of transit, “Mr.
and
Mrs.
Victor
Laszlo”,
for in this
scene he serves,
first,
as
procurer,
staging
the exiting of the husband,
and
plays, within-
the-
play, both
us
the
peeping toms
and
jeans
and
the Chorus,
welliwasrightyouareasentimentalist,
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